The Amarna Royal Tombs Project
- Dig diary 1998
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Day 27, 12 December 1998 As I walked up into the Valley of the
Kings this morning Jiro came rushing up to me. 'We've found a tomb! he said
excitedly. 'Very big tomb.' 'No!' 'Yes! Maybe tomb of Nefertiti!' I dropped my bag and sprinted up the
path, heart pounding, explosions of dust billowing around my feet. Tourists looked at me
as if I were mad, but I didn't take any notice. I had to see that tomb! Nefertiti we've
found you! Only when I reached the site and found
everyone carrying on as normal did I realise the whole thing was a joke. 'Very funny, Jiro,' I huffed, annoyed
to have been caught out so easily. 'Yes,' he agreed, chuckling. 'Very
funny!' So, no tomb of Nefertiti today. It's
still been a good day, though. We've unearthed all sorts of interesting things. And when I
say 'we' I mean we, because once again I've been allowed to do some troweling and
brushing. I should have learnt by now that the
days which start the slowest are always the days which turn out to be the most dramatic.
Aside from Jiro's little prank-feel free to send in suggestions as to how I can get my own
back!-nothing at all occurred till about 10am. Then, however, all sorts of things
happened. The first was that Nubi unearthed a beautiful limestone ostracon with five eyes painted on it in black ink. There was something hypnotic about it, the way the eyes all stared at you as though out of the distant past. Geoffrey thinks it's probably from the
late Ramessid period (i.e. 20th Dynasty), and once belonged to a trainee artist. The
teacher would have painted one eye on the stone, and the pupil would then have practised
copying it. I could imagine him sitting here in the Valley 3,000 years ago, the sun
blazing down, the ring of chisels in the air, painstakingly copying his master's original.
I wonder what his name was, and what happened to him, and whether he turned out to be a
good artist and worked on one of the tombs in the Valley? Several other ostraka were also found,
including one with a list of names written in hieratic-perhaps an ancient roll call-as
well as a whole basketful of potsherds. We'd clearly hit a fruitful level, and I pestered
Peter until he allowed me to come down into the excavation trench and get involved myself. 'Brushing' and 'trowelling' are two of
the most basic, and important archaeological techniques. What you do is to scrape and
brush very carefully over the surface of the ground, picking up any objects that look
interesting, however small, and placing them in plastic sachets. It's hard, dusty work-by
the time I stopped I looked as if I'd been dunked in a sack of flour-but great fun. There
is always the possibility you might turn up something amazing. Today I found lots of bits of charcoal
from an ancient fire, four fragments of bronze, possibly from an ancient tool, and, most
exciting of all, two pieces of mummy-wrapping. On closer inspection the first of these
proved to be a piece of modern cloth. Mohsen is sure, however, that the second one is
original. I was elated. Although satisfying, these finds are a double-edged sword. It is, of course, wonderful to make discoveries. On the other hand the more we find at this level the less chance there is of us getting down to the bedrock into which any tomb will have been cut. Time is ticking away. Soon a decision will have to be made as to whether we stay at this level for the rest of the season, or continue downwards in search of a greater prize. What will it be: stay where we are, or go on? It's a decision that will have to be taken in the next couple of days.
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